Six parallel plywood fins set between two upright side plates, the structure of the lamp mirrors the sillon, a ploughed furrow, in both geometry and logic. Light from a tinted diffusion paper source travels through the gaps in the fins and emerges beneath the object as a soft gradient across the surface below. The material is untreated poplar, left raw, which the orange-red light renders close to ember.
Year 2026
A cast concrete structure raised on four legs, with a flat platform holding a shallow basin of water, a Kenzan, and three stems. A found stone sits beside the arrangement on the platform. The Hokora is a small Japanese roadside shrine, typically a simple sheltered surface holding a sacred object; this piece follows that same logic in concrete and river stone. The basin incorporates pebbles collected from Mediterranean beaches.
Year 2025
The lamp started from an interest in the traditional table lamp as a form, its foot and shade, and how that familiar silhouette might be reframed rather than replaced.
The base is two flat poplar sheets, interlocked into a cross. It is a simple, almost reductive structure, and deliberately so: the intention was to support the shade with as little material as possible while giving the lamp a stable, architectural presence. The shade sits within the plates rather than on top of them, which creates a slight sense of suspension.
Light was treated as a material in itself. The walnut veneer, the transfer paper layers and the uncoated poplar each handle light differently, and the design relies on that combination to produce something warmer and less uniform than a single diffuser would. The dimmer allows the lamp to be adjusted to the room rather than imposing a fixed brightness, and the high-CRI bulb ensures the colours of both the lamp and its surroundings read accurately.
The name comes from the cresset, an ancient fire basket mounted on a spiked cross-stand; shapes, textures and a glow the lamp echoes closely.
two poplar boards interlaced with walnut veneer, acrylic discs and colored transfer paper
Two-part candle holder which reflects the candle’s warm glow in a softly curved concrete arc. Both pieces are primarily made of meticulously and precisely molded concrete and the base is finished in warm, walnut-veneered wood with aluminum accent trim.
Year 2025
Two-part candle holder which reflects the candle’s warm glow in a softly curved concrete arc. Both pieces are primarily made of meticulously and precisely molded concrete and the base is finished in warm, walnut-veneered wood with aluminium accent trim.
Panes
geometric artwork series inspired by Shoji 障子 (japanese room dividers), color field painting and advertising posters from the 70s.
Walnut
stereo console
Personal carpentry project: 70s inspired piece of furniture that combines love of audio equipment with walnut and mahogany furniture of the time.
MATERIALS
Body: 0.8mm american walnut veneer on 18mm MDF
Foot: 15mm aluminium tubing
Year 2024
Glowwalk
Nature-inclusive interactive light installation designed for the 2025 Luxembourg Design Festival
